Silicon Imaging Digital Cinema http://www.siliconimaging.com/DigitalCinema The latest news, press releases and support information from Silicon Imaging en-us New Workflow Documents Available http://www.si-2k.com/Workflows.html New power-point presentations on the CineForm RAW workflow have been posted detailing best workign pracitices for conversion of RAW data to third-party formats, the CineForm toolset, as well as an update to the presentation introducing RAW data workflows Nike commercial shot with SI-2K http://www.nike.com/nikeos/p/nikefootball/en__EMEA/index.html Axis Films provided Silicon Imaging SI-2K cameras and technical expertise for the Nike "Evolution" commercial. Almost 100% shot in Point of View, with the camera helmet-mounted, and the camera system completely remotely controlled. See the Nike spot “Take it to the next level” on the web. Studio Daily SI-2K 3D integration preview http://www.studiodaily.com/main/video/9559.html Studio Daily Posts NAB 2008 interview on new integrated 3D camera recording technology and P+S Techink 3D rig Silicon Imaging at CineGear Expo 2008 booth 134 http://www.cinegearexpo.com/ Come visit us June 20 and 21st at CineGear 2008 in booth 134. On display will be the SI-2K digital camera system along with the RGB 4:4:4 HR-2 recorder from Wafian. Axis Films and 4x4 Post team up on BT Broadband commercial spots. http://www.siliconimaging.com/DigitalCinema/News/PR_05_21_08_AxisFilms.html Axis Films and 4x4 Post shoot a series of visual-effects intensive BT Broadband commercials exclusively on the SI-2K Digital Cinema camera system. Studio Daily on "Dark Country" http://www.studiodaily.com/main/topstory/9461.html Studio daily posts a feature article on "Dark Country" and its prospects for the growth of independent 3D-cinema. Showreel Magazine launches Reel Show TV http://www.reel-show.tv/ Newly launched video website features a series of four behind-the-scenes interviews and material from the 3D Film Noir thriller "Dark Country". Wired Exclusive on Bjork "Wanderlust" 3D Music Video http://www.wired.com/entertainment/music/news/2008/04/bjork_wanderlust_index Wired Magazine posts exclusive behind-the-scenes look at shooting Bjork's "Wanderlust" 3D music video directed by Sean Hellfritsch and Isaiah Saxton. Their expose also includes new high-resolution 3D and 2D versions of the music video. 3D Technology Preview and New Features at NAB08 http://www.si-2k.com/News/PR_04_08_08_NAB.html A preview of industry-first 3D and multi-camera technologies, full Final Cut Pro and QuickTime integration, remotely controlled SpeedGrade OnSet look-creation, digital and optical viewfinder options, and secure hardware RAID 1 round out a host of new features and enhancements for the SI-2K platform at NAB 2008 in booth SL10608 Sony Pictures Film Noir Thriller "Dark Country" Takes 3D Cinematography to New Levels using Silicon Imaging SI-2K Digital Cinema Cameras http://www.si-2k.com/News/PR_04_08_08_DarkCountry.html Actor/Director Thomas Jane and Director of Photography Geoff Boyle immerse audiences in a visceral 3D world using the Silicon Imaging SI-2K camera system. 3D Bjork Music Video "Wanderlust" debuts http://encyclopediapictura.com/wanderlust/ 3D Bjork Music Video "Wanderlust" directed by Sean Hellfritsch and Isaiah Saxon debuts with online QT movie available. Wanderlust was shot using two SI-2K MINI's in a 3D beam-splitter configuration CineForm RAW/FCP workflow technote posted http://www.cineform.com/products/TechNotes/CineFormRAW-fcp.htm A outline of the integration features and workflow process between CineForm RAW and Apple's Final Cut Pro Whitepaper for RAW to CineForm 444 posted http://www.siliconimaging.com/DigitalCinema/Workflows.html Step-by-Step approach to using After Effects as a conversion tool between CineForm RAW and CineForm 444 AVI Header Update utility availble on support page http://www.siliconimaging.com/DigitalCinema/SiliconImaging_support.html Updates header information for AVI files for full-resolution and color metadata playback support Digital Media Net Reviews SI-2K http://audiovideoproducer.digitalmedianet.com/articles/viewarticle.jsp?id=263416-0 Heath McKnight reviews the SI-2K shooting and production workflow on Jesse Rangel's "Wanna Ride" music video David Newman tutorial on linear vs. logarithmic encoding http://cineform.blogspot.com/2007/09/10-bit-log-vs-12-bit-linear.html A great article on the advantages of using 10-bit logarithmic encoding for RAW digital negative files over linear encoding schemes.