Elegant interface design supports small on-camera 7" touchscreen LCD's as well as large computer displays

Interface removes the need for deep sub-menu levels

Key controls are always at the finger-tips of the camera operator

Optional Touchscreens integrate superior 5-wire resistive touch panels with integrated USB controller

Dual independent monitor support with full-resolution HD display and optional HD-SDI conversion

Full-screen mode with instant access on-screen hot-spots optimized for use by the camera operator

Manage independent view and record LUT's

Comprehensive project management control with metadata logging file format

2K Formats: 2K/23.976p, 2K/24p 2K/25p

HD Formats: 1080/23.976, 1080/24p, 1080/25p, 1080/29.97, 1080/30p, 720p (variable)

72fps/720P and 540/150fps for slow-Motion Special effects

Overcranking and undercranking for special effects (12~72fps)

Time-Lapse Recording with programmable images per minute

Visually lossless CineForm RAW™ wavelet-based codec

12-bit uncompressed RAW recording mode

Four variable bit-rate quality encoding CineForm RAW™ settings ranging from 4:1 to 9:1 compression

Quicktime and AVI file format direct-to-disk recording

Up to 4 hours of recording on 160GB HDD in highest quality mode

Segmented recording for file security on extended takes

Integrated virtual VTR interface with timeline functionality for instant review and playback

Playback support for both CineForm RAW™ and 12-bit uncompressed

Timeline feature allows for instant access to any portion of a clip

Export of 12-bit uncompressed RAW files to open-standards-based Adobe DNG file format

Grab frames from player into integrated frame-store for later retrieval

Industry's first complete color-managed pipeline from acquisition through post

IRIDAS look-management through Speedgrade™ interface for unlimited colorization possibilities

Create "virtual looks" through powerful primary and secondary color-correction tools in Speegrade™

IRIDAS looks are completely non-destructable and are full integrated into CineForm RAW™ color pipeline

Non-destructive user-selectable white balance modes: 3200K, 5600K, User and None

Proprietary Adaptive bayer processing for ultra-high quality output in Prospect 2K™

32-bit floating point rendering pipeline with support for super white and black points

Non-destructive met data adjustments and post-processing using Prospect 2K™ and IRIDAS toolset

Zone-System exposure meter with 6-level false-color zebras

2-4x digital zoom for fine focus adjustment

Safe-zone markers for 16:9 / 4:3 / 1.85:1 / 2.39:1

Full-frame edge-detection focus aide for critical focus confirmation on-the-fly

Per-channel histograms

Combination spot-meter and 4x loupe for pixel-level analysis of the live image and focus/exposure control

White-balance of any on-screen group of pixels using spot-meter control

Stereo Mic/Line Level inputs with 16-bit/48Khz sampling

Audio Recording multiplexed into .AVI

Speaker/Headphone output

SMPTE time-code embedded into AVI files

SMPTE time-code syncing to external LTC USB devices

On-screen Audio Level Left/Right indicators

Silicon Imaging 2K-series camera

Intel Core 2 Duo processor at 2Ghz (1080P/24P or less) or 2.4Ghz (2K)

AMD dual-core processor at 2.6Ghz (1080P/24P or less) or 3.0 (2K)

Nvidia Geforce 7 series GPU or QuadroFX 1600 or greater (ATI and Nvidia 6200TC and 6150 not supported)

Monitoring resolution of 1280x720 or greater

Recording medium capable of sustaining 25MB/s or greater for CineForm RAW™

RAID capable of a sustained 120MB/s for 12-bit uncompressed RAW

2GB of DDR2 667 RAM

Gigabit ethernet interface required/Intel Pro1000 series NIC's highly recommended

Optional USB audio adapter or other on-board mic input compatible with WDM audio

Optional touchscreen for interface control

Windows XP Professional SP2/32-bit (64-bit is not officially supported at this time)